主義與國醫:孫中山先生逝世後的中西醫論爭
本館出版品
主義與國醫:孫中山先生逝世後的中西醫論爭
Ideology and National Medicine: The Debate between Chinese and Western Medicine after Sun Yat-sen’s Passing
孫學研究
1996-265-7
半年刊
2025/03/12
第38期
p.1-36
1925年,孫中山先生因癌症過世,圍繞在他罹病前與逝世之後的一段時間,中西醫不論在治療技術還是對待癌症的看法上,展開一連串的論爭。直到南京國民政府成立後,孫中山被塑造成一國家指導者的形象,許多醫學期刊的封面或頁首,都有總理相片與遺囑的刊布。一次關鍵性的事件就是1929年爆發的「廢除中醫案」,中醫界必須傾全力抵擋來自西方醫學所掌控衛生體系之挑戰。處在這樣的政治氛圍下,除了學理論爭外,孫中山的思想與學說,成為中醫界最有力的印證,他們援引孫中山的國粹與國故說,打造新的「國醫」形象,並結合三民主義和其中的科學論述,運用孫中山的思想來一一反駁西醫的質疑。本文希望梳理這個過程與當中的中西醫論爭面向,對創新孫學研究來說,這是一場孫中山逝世後的醫界話語權競逐,整個過程也可作為另一種對孫中山學說及其思想影響力的跨領域觀察。
Dr. Sun Yat-sen was a prolific writer. His political ideals and ideological propositions have been extensively studied by scholars, accumulating a wealth of research findings. As a revolutionary, Sun did not confine the dissemination of his doctrines to written works alone; he also actively promoted them through succinct yet profound inscriptions, leaving behind a significant body of calligraphic masterpieces both domestically and internationally. However, academic research on these inscriptions has long been dominated by historical and political perspectives, often overlooking interactions between their artistic and sociological dimensions. The relationship between traditional calligraphy and modern society in his calligraphy remains an underexplored subject.
As a research fellow at the Sun Yat-sen Memorial Hall in Japan, the author had the opportunity to participate in the investigation and restoration of Sun Yat-sen’s inscriptions, systematically documenting their preservation in Japan and discovering previously unrecorded works. Building upon the current state of research and drawing from firsthand involvement in related projects, this paper provides an overview of the collection of Sun Yat-sen’s original inscriptions, supplementing existing studies by verifying their presence in Japan. Focusing on the inscriptions housed at Japan’s Sun Yat-sen Memorial Hall, this paper outlines their historical contexts and briefly introduces their authentication and restoration processes. Furthermore, using Sun Yat-sen’s inscriptions as a case study, this research explores the interaction between calligraphy and domains such as politics, diplomacy, media, and propaganda during Chinese society’s transitional period from old to modern. This paper also analyzes the evolving social role and function of calligraphy in modern times, and examines how it contributed to shaping the revolutionary’s political and cultural identity.
國立國父紀念館
臺北市
投稿日:民國113年10月25日;接受刊登日:民國114年02月26日